Hello! As promised in my last post, I am here to bring you the Report Card for this Fall 2011 Television season. It’s not an easy task, watching all this TV, but someone’s got to do it. No, I’m kidding, I do this because I want to give more meaning to spending hours and hours of vegging out in front of the television and devouring more TV shows than your average network executive. 😉
This week is the last week of October and very soon the networks will pull out all the stops to get viewers to tune in to their November Sweeps episodes (expect stunt casting, major twists and the whole shebang in the next few weeks) so before the whole insanity begins, let’s just take a look at our Fall 2011 television season so far and see how they’re doing so far. Is this a great TV season, or is it the worst in years? Let’s take a look, shall we?
NOTE: As you can see in the title, this week I’ll be dedicating this post for the Freshman shows that have just debuted over the last six weeks. Returning shows will follow in the coming weeks.
When it comes to Freshman shows, Sunday nights belong to Showtime’s Homeland. Sure, Once Upon A Time debuted big last Sunday night on ABC, but it doesn’t make it quality television. Homeland on the other hand, is not only a hit for the premium cable network, it is also really, really good. Domestic terrorism has proven to be a difficult genre to sustain, but so far, Homeland has hit it out of the park with every episode. Of course, there is no guarantee this show won’t turn out to be another The Killing (I am still pissed at Veena Sud, by the way!) but considering the show runners used to work on 24, I hope they know better. Look for Homeland to do well at next year’s Emmy’s too, at least scoring nominations for Claire Danes and Damian Lewis, and maybe even Best Drama.
Over on ABC, the retro-sweet Pan Am isn’t doing too well on ratings, but oh I wish it would. I actually like it. No, it’s not brilliant television. And it’s clearly, clearly, not Mad Men. It’s not even ABC’s answer to Mad Men. It’s just a fun Love Boat-esque nostalgia soapy little show with beautiful people and gorgeous 60s costumes. That’s all. You can watch this show while doing the laundry or checking your emails. And that’s not necessarily a bad thing. So do me a favor, and watch this show so it will at least get a full season?
Sunday Night Grades:
Homeland: A- (I only give it a preemptive minus just in case it decides to pull a “Killing”)
Pan Am: C+ (Not quality television but definitely a fun Sunday night watch)
Once Upon A Time: D (Like I wrote in my review: meh)
Monday night is always a crowded television night for me, mostly because there are about five to six shows to watch on any given Monday. Even though I hate that NBC shifts Chuck to Fridays on its fifth and final season, I was a little relieved that I didn’t have to cram in eight shows in one night. Out of the six shows that I watch on Monday nights, to my surprise, Hart of Dixie came out on top, something I did not expect at all. After all, the show is from Josh Schwartz and Stephanie Savage’s Fake Empire – and both The OC and Gossip Girl, though deliciously perfect guilty pleasure shows aren’t exactly what I call “quality television” (I’m not counting Chuck in this list though Schwartz serves as co-creator because the show came from his partnership with Chris Fedak and not Savage) but Hart of Dixie is not only a charming little show, it’s actually pretty good, you guys! It’s like the perfect mixture of Gilmore Girls and Everwood and Rachel Bilson gets more and more convincing as a doctor as the season progresses. It’s not going to win any Emmys, but it’s still a great show to wind down to on a hectic Monday night.
If Hart of Dixie has enough sweetness and sincerity to charm your pants off, CBS’ 2 Broke Girls has the exact opposite effect – it’s not going to charm your pants off at all, unless you’re a self-loathing weirdo who is into meanness and crass. The problem with 2 Broke Girls is not in its lame jokes or the laugh track or the somewhat old-fashioned multi-camera approach. The problem with 2 Broke Girls is that it relies way too heavily on mean comedy, and mean comedy just feels grating after a while. Take the whole Asian jokes that many viewers consider racist. I wasn’t offended even though I’m Asian so I don’t think they’re that blatantly racist, but still. Race jokes are tricky and best avoided, and they are even more offensive when they sound mean-spirited. I love me some Kat Dennings so I’m sticking around but if the show doesn’t tone down its meanness soon, I may have to check out sooner than later. Meanwhile, HBO’s Enlightened, despite centering on a woman unhinged, turns out to be a lot more charming that 2 Broke Girls can ever hope to be. It’s still not funny ha-ha, but it gets better as the season progresses and doesn’t disturb your inner peace with every episode, something 2 Broke Girls’ writers should learn from.
Monday Night Grades:
Hart of Dixie: B+ (It’s not good enough for an A but it’s the kind of sweet little show I’d love for years so definitely a B+)
2 Broke Girls: C- (I’m still holding out hope that it will improve before the season’s over)
Enlightened: B (It’s a great show, but it takes a while to get used to)
Without a doubt, when it comes to Tuesday night on Fox, Zooey Deschanel’s New Girl totally rules. Not only does it generate bigger ratings than its lead-in Glee (something that even Fox doesn’t expect at all), it is also one of the new shows that get the most buzz online, mostly because Zooey Deschanel has a huge and I mean huge following on the world wide web. For a so-called indie darling, she definitely has mass appeal. Sure she has a polarizing effect, some people (myself included) LOVE her and some people just can’t stand her. But the majority rules, and the majority loves Deschanel and her new comedy. It is sometimes a little much (it’s like the writers are trying to kill us with twee), but at the end of the day, it’s genuinely funny and a great addition to Fox’s Tuesday night comedy block. Plus, the massive success of this show has somewhat boosted Raising Hope’s ratings so I just cannot hate on Deschanel. I can’t. I don’t have it in me.
The CW’s Ringer can only dream of getting a fraction of New Girl’s success but for a show with a truly terrible pilot (I’m not the only one who gave it a bad review), it has actually improved into something not at all terrible. It’s not suddenly good, but it’s definitely watchable and yes, absolutely fun to watch, something I did not expect would happen. I guess the writers learned from the atrocious pilot and began shaping the show into something of a guilty pleasure. It’s total soap and melodrama, and sometimes I still think Sarah Michelle Gellar deserves better but I can totally get on board now. No more ridiculous boat scenes, instead, they choose to go the Gossip Girl route with scandals, blackmail, betrayals and juicy little schemes. Plus, Veronica Mars’ Jason Dohring (Logan!) has scored a recurring role and it’s a good sign the show can only get better.
Tuesday Night Grades:
New Girl: B (The twee-ness can be a problem sometimes in this show)
Ringer: C+ (It’s getting better but it’s still not good enough to score higher)
Ryan Murphy picked the right time to debut a new show, because FX’s American Horror Story kind of makes me love him again. I’ve gotten tired of Glee these days, especially since season 3 has yet to return to the awesomeness of the first 13-episodes of season 1, but I don’t mind it so much now that I just have to wait a day after Glee to be thoroughly entertained by the Murphy-helmed horror show that is American Horror Story. Sure, the pilot wasn’t that strong – just frenetic and crazy – but the subsequent episodes turn out to be a lot more solid than the pilot, especially these last two weeks, largely due to the writers’ decision to tone down the “shock-and-awe” and focus more on subtle creepy revelations a la The Sixth Sense. it’s still crazy (at this point I won’t even be surprised if the whole Harmon family turns out to be ghosts as well) but it’s the good kind of crazy and Murphy’s penchant for the outrageous kind of works well in this genre. His decision to actually have a writing team is also a contributing factor why this FX show may just be this Fall’s surprise hit. That, and Dylan McDermott’s man-ass. 🙂
Another guilty pleasure drama worth mentioning this television season is ABC’s Revenge, that appeals to most viewers and critics for its unabashed and straight up melodrama. I never thought I would actually enjoy this show this much but I really do. The protagonist in this show, Emily Thorne is so hell-bent on revenge that she always wears the same crazy-eyed “vengeful” expression on her face that I’m starting to wonder if maybe she really is crazy. TV critic Emily Nussbaum (now on New York Times) mused on her Twitter once that maybe Emily Thorne is just insane and the people she exacted revenge on never really did anything to her. All those videos she watches on her laptop that justify her need for vengeance turn out to not exist and in the finale it’s revealed that she had been staring at a blank screen all along, a la John Nash in Beautiful Mind. Don’t worry, the show is not sophisticated enough to come up with that twist, which is exactly the reason why it’s so appealing.
On the comedy front, NBC’s Up All Night and ABC’s Suburgatory seem to both be enjoying a quite successful run. Up All Night may not be ratings gold, but it scores high on the coveted 18-49 demo and without a doubt NBC’s most successful Wednesday comedy series this side of the millennium. Sure it’s still trying to figure out what it wants to be but it’s always funny and it even makes Nick Cannon bearable (I didn’t think it was possible). Suburgatory also takes a while to find its footing but as the season progresses, the show starts to grow on me, even though I do wish for more screen time for Alan Tudyk. He’s just so criminally underused!
Wednesday Night Grades:
American Horror Story: B (I’m cautious, just in case “the Ryan Murphy curse” rears its ugly head)
Revenge: C+ (C for the quality and a + for its “peach melba-esque” appeal)
Up All Night: B (It’s really funny, but it’s still not that solid)
Suburgatory: B- (The minus is for underusing The Great and Mightily Awesome Alan Tudyk)
Thursday night is another crowded night for me, mostly because NBC has a pretty awesome comedy block (well, except for the fact that the insipid Whitney is in the coveted spot after The Office, that should be reserved for one of the better shows – Parks and Recreation or Community while 30 Rock is on a long hiatus) so I’m very hesitant about adding new shows in the schedule, knowing that I won’t be able to get through them all and they’ll spill over to the weekend. But Person of Interest on CBS and Prime Suspect on NBC are two shows I’m glad I added to the already crowded schedule, because they are both really good procedural in different ways, and the kind of shows I can watch for many, many seasons (if they’re lucky to get more than one or two seasons). Ratings weren’t impressive for both shows, but I hope the networks are patience with them and give them time to build at least a cult following. They are really that good. Person of Interest is more high-concept and Prime Suspect is more down-to-earth but both consistently churn out solid episodes, with good writing and brilliant acting. Sure, Maria Bello’s abrasiveness is a lot more appealing than Jim Caviezel’s brooding stare (for some reason) but they’re both great shows to commit to, and I hope more people will because I’m just tired of being heartbroken every season when they cancel my new favorite shows.
Over on The CW, The Secret Circle‘s not-so-merry band of witches have done quite well on the ratings, building on its lead-in Vampire Diaries nicely but for some reason, even though it’s from the same team that made Vampire Diaries a truly awesome show that is so not just another Twilight clone, the show hasn’t really won me over quite yet the way Vampire Diaries did around the same time in season one. These witches just aren’t quite as interesting as the vampires, most probably because no one is truly psychotic yet, and we’re still hazy as to who’s the big bad in this show really is. I also would appreciate their ballsy move to kill off a regular character more if they hadn’t done the exact same thing with Vampire Diaries back in the day. However, I still hold out hope that Kevin Williamson and team will finally get this show out of its funk and make it just as awesome as its predecessor, so I won’t give up until this season ends.
Thursday Night Grades:
Person of Interest: B+ (The procedural part of the show tends to overpower to longer arcs and it gets predictable at times)
Prime Suspect: B (Now that they’ve toned down on the sexism, they could at least make Maria Bello’s character just a smidge more likeable)
The Secret Circle: C- (So far, I still find the season pretty much meh, but I’m still hoping for a turnaround)
I can’t technically grade this show just yet because technically it hasn’t premiered just yet and I have only seen the pilot and it wouldn’t be fair to judge only from one episode. Some shows have strong pilots and lousy season, while some others have weak pilots but awesome season. But still, I actually really enjoyed NBC’s Grimm, even though I had really low expectations so I think it’d be safe to say that I would still be enjoying the show as it goes into its subsequent episodes. After all, it got a later premiere date than the others, so it should have more time to make the necessary improvements. I’m looking forward to episode two, and I hope I won’t be disappointed.
Friday Night Grade:
Grimm: C (It was not the strongest pilot, but it actually has potential)
There you have it, the Fall 2011 TV Report Card for all the freshman shows that I watch. Don’t worry, I will also do the same with the returning Fall favorites as well, but it will have to wait until late November/early December to include the returning favorites that get a later premiere dates (Chuck, Bones, etc). Check back in next week, though, because I will post my Ten Hottest Men of Fall list. You know you want to! 😉