Tag Archives: glee

Fall 2011 Television Report Card: Returning Shows

Hello! As promised, I am still here to bring you the Report Card for this Fall 2011 Television season. It’s not an easy task, watching all this TV, but someone’s got to do it. No, I’m kidding, I do this because I want to give more meaning to spending hours and hours of vegging out in front of the television and devouring more TV shows than your average network executive. 😉

We have reached November and the sweeps have officially begun. Some shows have even had their Fall finales, and some networks have released their mid-season schedule (No Community, NBC?? WTF?). Anyway, as infuriating as NBC’s decision to bench Community can be, I still have to make good on my promise to report to you how our returning Fall shows are faring this season. So without further ado, let’s just take a look at our Fall 2011 television season so far and see how they’re doing so far. Is this a great TV season, or is it the worst in years? Let’s take a look, shall we?

SUNDAYS:

Truthfully, the only returning show that I still watch on Sundays is HBO’s Boardwalk Empire. I don’t watch The Good Wife (please don’t make me explain why again, I’ve done it so many times in this blog), I have given up hope on Dexter after the disappointing season 4 and I don’t watch The Walking Dead (serious zombies are not my thing. I prefer my zombies hilarious, a la Zombieland and Shaun of The Dead). And I’m so not into How To Make It In America (which is basically Entourage, with a smaller budget). Which means I’m going to have to compare Boardwalk Empire with last season to be able to judge it fairly. And so far, this season is not much of an improvement. I love that we get more Richard Harrow, Rothstein, Capone and Chalky White – who are all great characters played by amazing actors, but I think the show could benefit from some character developments. Last season the female characters suffer from lack of developments, and this season, it seems the writers don’t really know what they want to do with Jimmy Darmody, which is a shame since Michael Pitt is definitely a great actor who can deliver perfection every week. Now that the season’s inching closer to the end and the stakes are raised, I’m hoping they’ll finally get it together and give us a truly satisfying finale that will make us forget about the frustrating early episodes.

Sunday Night Grade:

Boardwalk Empire: B- (It definitely got better midway through, and Richard Harrow alone made the show deserving of this grade)

MONDAYS:

Like I said in my previous post, Monday night is definitely a pretty crowded night of television for me, so if a show is lacking in quality on a night like this, I usually give it up pretty quickly (goodbye, Hawaii Five-0!). But one show I know I won’t ever give up even if it gets 8 seasons like Entourage (which I highly doubt because nobody seems to be watching it except for me and a few people in Brooklyn), is HBO’s Bored To Death. Now in its third season, this Jason Schwartzman, Ted Danson and Zach Galifianakis screwball comedy continues to be hysterically funny and wonderfully odd. As one commenter in NY Magazine’s Vulture blog once said, “Bored To Death is Entourage for people who hate Entourage.” – a fitting description for a show that is light, funny, a tad insane and a whole lot of fun.

Of course in terms of ratings, Monday nights belong to CBS’ How I Met Your Mother, now in its 7th season (and we still haven’t met the mother yet! Do we even still want to?) and ABC’s Castle, now in its 4th season. How I Met Your Mother may not be as “cool” as Bored To Death in terms of comedy, but surprisingly, this season is not half-bad. It was flailing in the beginning of the season but now I’m enjoying it more, and not just because they seem to be revisiting the Barney and Robin romance once again. I’m not too crazy about Kal Penn as Robin’s boyfriend because she seems to have more chemistry with a stick of butter than with him, but eh, at least he helps drive the plot forward. Meanwhile, Castle benefited from having a strong season opener and even though the show focuses more on the cases of the week instead of the Castle-Beckett sexual tension, it actually works in their favor. Who knows, maybe they’ll just pull a Bones next season and have Beckett pregnant with Castle’s baby all of a sudden. That’s one way to beat the Moonlighting curse!

Speaking of pregnancy, The CW’s Gossip Girl is going through with the Blair Waldorf pregnancy plot, though now almost halfway in the fifth season, she still looks as thin as ever (seriously, stick a pillow under there or something!). However, despite the ridiculousness of every single plot, I think this season is actually an improvement, or maybe the last two were just so bad that anything can be seen as an improvement. Two things I would want to be rid off in this show though: Dan Humphrey’s floppy hair and Elizabeth Hurley. As Jessica Pressler of NY Magazine’s Daily Intel blog notes, “She’s the only British who can make her real British accent sound fake.” Too bad it doesn’t seem like her (and Dan’s Jeff Buckley hair) are going anywhere soon. Across the (Canadian) border, the addictive CBC drama Being Erica is now in its fourth and final season, and sadly the season has been underwhelming so far. I like that Kai is back, but I was kind of expecting Erica to have finally resolved her issues with men already by now, and yet she seems to still be as damaged as ever. I just hope that it’ll improve fast, since we all deserve a satisfying series finale and conclusion to this journey.

Monday Night Grades:

Bored To Death: A (I just can’t find anything bad to say about this show!)

How I Met Your Mother: C+ (Still in a continued decline from the early seasons, but there’s hope of a turnaround)

Castle: B (The quality remains consistent)

Gossip Girl: C- (We still need to suspend our disbelief every week, but at least some plots are quite enjoyable)

Being Erica: B- (Come on, Erica, get your shit together, girl!)

TUESDAYS:

Tuesday night television used to be the most exciting night for me, mostly because of Glee. But that show burns out so fast (more on that later) that I’m not even that excited about it anymore. But Tuesday night continues to be a great night for television simply because of the little show that could on NBC called Parenthood. Honestly, I don’t know why people aren’t watching this show. It’s honest-to-goodness that amazing. Emily Nussbaum of (now) The New York Times once said that Parenthood is the television equivalent of a nice, warm, bubble bath. You just want to soak in the goodness, preferably with a glass of red wine in your hand.

When Parenthood continues to warm our hearts in its third season, I can’t say the same about Glee, which saddens me because it was only two years ago when the show stole my heart and made me a devotee. But Glee, much like its characters’ relationships, turns out to be just another puppy love – it burns hot, it burns bright and then it fizzles away. Out of the six episodes that have aired so far this season, only two were actually great and reminiscent of the early episodes of season one. Ryan Murphy can’t seem to figure out what to do with half the cast, and he’s got to write in parts for winners of The Glee Project too. I still hold out hope that this show will return to its former glory before this season’s over but from the looks of things, we may have to bow out just as soon as the New Direction seniors graduate. However, another Fox comedy Raising Hope seems to be faring a lot better than Glee, if only in terms of quality. It may not have as many viewers, but now in its sophomore season, Raising Hope is still as funny, crazy and irreverent as its freshman year. If Glee continues to dwindle in quality, I wouldn’t be surprised if New Girl and Raising Hope end up replacing it as Fox’s favorite.

On to the good ol’ cop procedural, Canadian drama Flashpoint has just moved from CBS to Ion TV and yet continues to churn out solid episodes. It’s edge-of-your-seat thrilling while still tugging at your heartstrings at the same time. I will even go so far as to call this show the “Parenthood of cop procedural“. It doesn’t disappoint even after four seasons and two cast changes. Over on ABC, Body of Proof seems to be finding its footings in its second season, and Dana Delany’s character is a lot more sympathetic now, but it still has room to grow. Let’s hope for their sake they find their groove soon, because I don’t think ABC has given it a back-nine order yet.

Tuesday Night Grades:

Parenthood: A (It makes me laugh, it makes me cry, it’s perfect)

Glee: C+ (there are two solid episodes this season but the rest are still meh)

Raising Hope: B (It’s still hilarious and such a fun show to watch)

Flashpoint: B+ (it does get heavy-handed sometimes but overall it’s damn good television)

Body Of Proof: C- (still not that great but it has its moments)

WEDNESDAYS:

When it comes to Wednesday nights, it’s pretty clear who dominates in terms of ratings: Modern Family. This ABC comedy won big at the Emmys and people are still loving this big, crazy, slightly dysfunctional family show. And don’t get me wrong, I still love this show very much, but I think in its third season, Modern Family is starting to enter The Big Bang Theory-like state: it’s still funny and the masses love it, but it doesn’t really go beyond that. We’re not attached to the characters or even the plots anymore, we just watch every week for the laughs and that’s it. I’m not saying it has come to that, but if it’s not careful, it can very well be in the next one or two seasons, because so far none of the season three episodes that have aired was particularly memorable. They’re all funny, but I somehow just don’t connect with them – unlike in seasons 1 and 2. On the other hand, ABC’s sophomore comedy Happy Endings seems to hit all the right notes lately. Sure, it had a rough start last season but it quickly turned around and made us fall in love with its quirkiness. Ever since Cougar Town is banished to mid-season (or maybe even longer, DAMN YOU ABC!), Happy Endings is the only ABC show that makes me feel like I’m hangin’ with the coolest people on earth when I watch it. And that feeling is – as Penny would say – amahzing.

Meanwhile over on USA, Psych has finally returned for its sixth season, after being bumped to Fall to make room for Suits last Summer, and I’m happy to report that even in its sixth season, the show is still as fresh and fun as ever. I like how they handle the Shawn and Juliet relationship, which is really to shove it in the background. But it works! It’s always tricky when a will-they-won’t-they couple finally get together and the only way they can sustain it Jim and Pam style is to push it to the background a little bit, until they make big life decisions such as getting engaged, married, having babies etc. And since Shawn and Juliet aren’t ready for that kind of leap, it’s best to only get glimpses of their blossoming romance for now. Finally, on to CBS’ Criminal Minds. Not much to say, except that it’s good to have the gang back together again. Last season felt a bit off with both AJ Cook and Paget Brewster getting the cut, but luckily CBS realized its mistakes and rectified the situation by bringing both actresses back. And now we can finally focus on the serial killers – and Matthew Gray Gubler’s fabulous hair.

Wednesday Night Grades:

Modern Family: B- (It’s still good but it’s not as great as it used to be)

Happy Endings: A (It’s seriously amahzing, you guys)

Psych: B (It’s still funny but sometimes it does get a bit “been there done that”)

Criminal Minds: C+ (Still comfortingly watchable, but it’s already in season 7)

THURSDAYS:

First, I just want to take a moment to mourn the darkest timeline of all: NBC benching my favorite show Community for mid-season, which means there will be no Community come January. Let us all put on our black goatee and plot the destruction of the world. Okay. Moment over. I don’t want to dwell on it, especially since the thought of no Community can trigger a breakdown, Abed-style. I’m just praying that the powers that be will let this little show gets what it deserves: six seasons and a movie. Especially since this season, the show continues to deliver amazeballs episodes. Yes, I said it. Amazeballs. Why NBC chooses to bench this show (and cancel Prime Suspect while they’re at it) and let the insipid Whitney live on to annoy the masses is beyond me. Obviously, this is the darkest timeline. I’m just waiting for someone to right the wrong. I’m talking to you, Bob Greenblatt! Anyway, moving right along, my second favorite show ever, Parks and Recreation, also has not disappointed me yet this season, despite their decision to break up my favorite sitcom pairing since Jim and Pam: Ben and Leslie. What used to be romance was replaced by angst and blossomed into romance again and oh! It’s just so good, it deserves a place in Ron Swanson’s Pyramid of Greatness.

The Office post-Steve Carell isn’t doing too great, however, which is a shame because I had always seen that show as more of an ensemble instead of a Steve Carell show. But I guess he left some big shoes to fill and somehow both James Spader and Ed Helms haven’t managed to do that just yet. The dynamic feels off somehow, and I’m still not getting why Spader needs to be there all the time. I’m still hoping they’ll finally get it right but it’s looking less and less likely now. Something tells me The Office should’ve just ended when Carell left. Over on CBS, The Big Bang Theory still gets monster ratings, and yes it’s still enjoyable to watch, but it’s getting less and less memorable now that it’s in its fifth season. I just simply can’t care about the characters anymore and I watch it with about as much enthusiasm as when I watch 2 Broke Girls. This show will live on forever, probably (hey, Two and A Half Men still exists, right?) but I’m not so sure I’m sticking around for the long haul.

Moving on from comedy to drama, Bones on Fox has just premiered its seventh season a couple of weeks ago with a pregnant Brennan and I have to say, they have managed to avoid the Moonlighting curse pretty cleverly with this plot, that happened mostly because of actress Emily Deschanel’s real life pregnancy. Brennan being pregnant help gives the show something else to focus on besides the Booth/Brennan relationship. We still get to see them as a couple but the shift in dynamic is a lot smoother this way, and they’re still just as interesting to watch as before they got together. Another upside: Sweets gets more to do, and I always love it when I get to see more of John Francis Daley (see my 10 Hottest Men of Fall list for clarification). Over on The CW, my favorite supernatural show this side of the millennium, The Vampire Diaries, also isn’t showing signs of a decline now in its third season. The plots remain interesting, the twists continue to surprise, the guest stars are added delight, and the relationships that are formed and broken continue to be exciting. Last season we had Jeremy and Bonnie hooking up, this season we had them breaking up thanks to Jeremy’s ghost vampire ex (don’t ask). Last season we had Matt walking out on Caroline because he couldn’t deal with her being a vampire, this season we had Caroline hooking up with werewolf Tyler who was later on turned into a hybrid and sired by Klaus, which ruined their ongoing romance (again, don’t ask). There’s always so many things going on, so many interesting characters at play in this show. The only downside? The producers are not shy about killing off beloved characters, so I’m always anxious that someone awesome is going to die in every episode. I don’t need that kind of anxiety in my life!

Thursday Night Grades:

Community: A+ (I’m biased, I know.)

Parks and Recreation: A+ (Again, totally bias. Don’t protest, it’s my blog!)

The Office: C (It’s really getting frustrating to watch)

The Big Bang Theory: C- (I just can’t care about the characters anymore)

Bones: B (Overachieving Brennan would probably not be happy with this grade)

The Vampire Diaries: B+ (It still gets a little too cheesy at times, but overall it’s still awesome)

Fridays:

Friday night television is usually the night when good television comes to die, or what we die-hard TV fans call “Programming Siberia”. And while it’s true that high ratings for Friday night shows are not easy to come by, it doesn’t mean that there isn’t any quality show on Friday night, because it just so happens that Friday night is also “Geek Night”, with Chuck on NBC airing at 8 pm and Fringe on Fox airing at 9 pm. With those two shows on any given Friday night, do you even question why I never leave the house? 😉 And so far, both shows totally deliver in terms of awesomeness. Chuck is in its fifth and final season and it’s still as entertaining as ever. I like that the stakes are raised and they keep giving us something to look forward to every episode, as well as the fact that I still have NO CLUE how they’re going to end the series. It’s going to be epic, for sure, but they’re clever enough not to give away the ending from the beginning. Fringe doesn’t disappoint either, after introducing a new timeline (Abed will LOVE this) at the beginning of season 4 that complicates things and at the same time makes them even more interesting. Plus they upgraded Seth Gabel to series regular, and he’s been pretty awesome so far. The only downside? With dismal ratings, I have a feeling this show will not make it to season 5, unless by some miracle. So internet! You know what to do, start a crazy fan campaign so huge Fox just has to give it one more season – or at least 13-episodes final season like Chuck.

Friday Night Grades:

Chuck: B+ (They did downgrade Beckmanand there’s just not enough of Jeffster this season)

Fringe: A (It deserves an A for Agent Lincoln Lee alone!)

And there you have it, my Report Card of the Fall 2011 Returning TV shows. What’s your favorite show of this season? Do you think NBC is crazy for benching Community? (The answer is yes) How ’bout that Ben and Leslie kiss? I will be back soon with my annual Christmas lists – so be on the lookout for that. For now, I bid you adieu and until next time!

Xoxo

Binky Bee

Advertisements

Did You Hear About The Emmys?

The Emmy nominations were just announced, and this year, just like last year, I am not utterly disappointed. Sure, the snubs are still pretty frustrating, most notably John Noble for his brilliant work in Fringe (what does a guy has to do to get an Emmy nod around here? Play two characters in one show? Oh, but he does!), but still, the fact that Friday Night Lights is finally nominated for Best Drama, is definitely an improvement, especially since the show has bowed out after five incredible and yet criminally slept-on seasons. Also, the Academy has FINALLY acknowledge the brilliance of Parks and Recreation! Sure it snubbed Ron Offerman (how dare they!) and totally ignored Community, but all in all, this year’s nomination list is a step in the right direction. Note how The Killing is NOT nominated for Best Drama, despite the Best Actress and Supporting Actress for Mireille Enos and Michelle Forbes respectively. After the whole season finale debacle, I would’ve thrown a hissy fit if they nominated the show for Best Drama. I guess the finale pissed The Academy as much as it did (most of) us.

Just like last year, I’m still going to do predictions (divided into my usual ‘Who I Think Will Win’,  ‘Who I Want To Win’ and ‘But It Could Very Well Be…’) seeing that the votes can go any which way this year as well. And just like last year, I could totally be wrong… so you might want to reconsidering making your bets based on my predictions. 🙂

Okay, we have a lot to go through, so let’s get straight to it! (NOTE: Since there are so many categories, I decided only to post the ones that I can predict, or care about. To see a complete list, you can go straight to the Emmy Website)

Outstanding Lead Actor In A Comedy Series:

– Alec Baldwin, 30 Rock.

– Matt LeBlanc, Episodes.

– JimParsons, The Big Bang Theory.

– Steve Carell, The Office

– Johnny Galecki, The Big Bang Theory.

– Louis CK, Louie

Who I Think Will Win:

Steve Carell, The Office

Why: I know I predicted him to win last year and he didn’t, and truthfully I have no idea who seems to be the voters’ favorite for this year, but Steve Carell will never be nominated in this category for The Office ever again. And he has been nominated for so many times but has never won, so I hope the voters will do him a solid and give him the statue. It’d be a bittersweet victory for him, and I think we know he’ll give a good acceptance speech.

Who I Want To Win:

Matt LeBlanc, Episodes

Why: Well, it’d be nice to see Joey Tribbiani won the Emmy for playing Matt LeBlanc. 🙂 Besides, Episodes is such a funny show and truthfully, Matt is half the reason why the show is so great. The other half is of course British imports Stephen Mangan and Tamsin Greig.

But It Could Very Well BeJim Parsons. After all, didn’t he win this last year? (Did he win last year? My memory’s not what it used to be).

Winner: Jim Parsons

Outstanding Lead Actress In A Comedy Series:

– Edie Falco, Nurse Jackie.

– Tina Fey, 30 Rock.

– Laura Linney, The Big C.

– Mellisa McCarthy, Mike & Molly.

– Martha Plimpton, Raising Hope.

– Amy Poehler, Parks and Recreation.

Who I Think Will Win:

Laura Linney, The Big C

Why: Well let’s see, she plays a mother and housewife with stage 4 melanoma (heavy), and she makes us all not only sympathize with her but at times, frustrated at her stubbornness and unwillingness to share the burden with her family. Sure, season 1 was a bit shaky but she gets better and better. And plus, she plays a woman with terminal cancer. This is the kind of role that will almost guarantee you an Emmy.

Who I Want To Win:

Amy Poehler, Parks and Recreation

Why: I know she was my pick last year, and she lost, but I’m still rooting for her this year simply because Parks and Recreation was so so good last season. Even after being pushed to mid-season, it didn’t fail to steal everyone’s hearts. And Amy Poehler was amazing, especially considering she was pregnant for half the season. And if she won, I would not hate the Academy so much for not nominating Ron Offerman.

But It Could Very Well BeTina Fey. 30 Rock had a really fantastic season, and Fey was outstanding as always. Not to mention, they did a live episode, and they nailed it!

Winner: Melissa McCarthy

Outstanding Lead Actor In A Drama Series

– Timothy Olyphant, Justified.

– Steve Buscemi, Boardwalk Empire.

– Hugh Laurie, House.

– Michael C. Hall, Dexter.

– Kyle Chandler, Friday Night Lights.

– Jon Hamm, Mad Men.

Who I Think Will Win:

Steve Buscemi, Boardwalk Empire

Why: Since there’s no Brian Cranston to win again this year, Steve Buscemi seems to be the front-runner in this category, especially since he did win the Globes for Boardwalk Empire last January. And let’s face it, who doesn’t love him in Boardwalk Empire?

Who I Want To Win:

Timothy Olyphant, Justified

Why: Oh this category is hard because I’m definitely torn between him and Kyle Chandler, who very well deserve an Emmy since he made me cry so many times during the last season of Friday Night Lights. But at the end… my undying devotion for Timothy Olyphant, and the fact that he is indeed a god (ohhh, Timothy Olyphant…), wins out. I mean, just look at him! If the voters are like me, he totally has this in the bag.

But It Could Very Well BeJon Hamm. He hasn’t won once, so maybe now that this category is Brian Cranston-less, he actually has a chance.

Winner: Kyle Chandler. I did not predict this, but hell yeah Coach Taylor!! Well deserved!

Outstanding Lead Actress In A Drama Series

– Connie Britton, Friday Night Lights.

– Julianna Margulies, The Good Wife.

– Kathy Bates, Harry’s Law.

– Marisa Hargitay, Law & Order SVU.

– Mireille Enos, The Killing.

– Elisabeth Moss, Mad Men.

Who I Think Will Win:

Julianna Margulies, The Good Wife

Why: I don’t watch the show but judging from what I read in various medias, its second season was exceptionally good and apparently Margulies knocked it out of the park every time. And everyone, present company excluded, does love this show.

Who I Want To Win:

Connie Britton, Friday Night Lights

Why: Since I didn’t pick Kyle Chandler as my favorite to win, I better do Friday Night Lights a solid and pick her for this category. 🙂 And like Steve Carell, this will be her last chance to win in this category for Friday Night Lights. She deserves it.

But It Could Very Well BeMireille Enos. I know that some TV blogger (forgot who) called Enos’ Sarah Linden as The Worst Cop on TV (and I happen to agree with that blogger), but critics seem to dig her performance in The Killing. Besides, she didn’t write the show. Linden’s ineptitude cannot be blamed on her.

Winner: Julianna Marguiles

Outstanding Comedy Series:

– Big Bang Theory.

– Modern Family.

– Glee.

– 30 Rock.

– The Office.

– Parks and Recreation.

Who I Think Will Win:

Modern Family

Why: It did win last year despite Glee’s domination at other award shows, and unlike Glee that declined in quality in its second season, Modern Family continues to stay strong and gave us a really hilarious season. And 30 Rock did win at least twice in this category so the same fate could befall this show.

Who I Want To Win:

Parks and Recreation

Why: Since Community wasn’t even nominated (boo!), I want my second favorite comedy to win this category and show everyone else how it’s done. Even with a shorter season, we got so many great episodes last season: Ron and Tammy 2, Andy and April wedding, the one with the snake juice, the season finale with the passing of Li’l Sebastian… honestly, why don’t more people watch this show?

But It Could Very Well Be30 Rock. Like I said before, they had a really good fifth season and the only show in the category that actually dared to do a live show. So yeah, Tina Fey and crew can win again this year.

Winner: Modern Family

Outstanding Drama Series:

– Boardwalk Empire.

– Dexter.

– Friday Night Lights.

– The Good Wife.

– Game of Thrones

– Mad Men.

Who I Think Will Win:

Boardwalk Empire

Why: It won the Globes, it’s executive-produced by Martin Scorsese, and it’s on HBO. And plus, with Mad Men not returning until next year, this freshman drama is more fresh in everyone’s mind. It’s not as well-written as Mad Men in my opinion, but considering the powerhouse performances of the actors and how much Emmy voters love HBO, it can totally win.

Who I Want To Win:

Friday Night Lights

Why: Because this show is still the best show on television, even though it has wrapped its fifth and final season. And because I bawled like a baby watching the series finale, and continued to cry for days after. Because the people of Dillon, Texas has stolen the hearts of everyone who has ever decided to watch it. And finally, because clear eyes, full hearts can’t lose. (If you don’t know what I’m talking about, get the DVDs!)

But It Could Very Well BeGame of Thrones. I didn’t see it, but apparently everyone raved about it.

Winner: Mad Men

Outstanding Supporting Actor In A Comedy Series:

– Jesse Tyler Ferguson, Modern Family.

– Chris Colfer, Glee.

– Jon Cryer, Two and A Half Men.

– Ty Burrell, Modern Family.

– Eric Stonestreet, Modern Family.

– Ed O’Neill, Modern Family.

Who I Think Will Win:

Chris Colfer, Glee

Why: Ryan Murphy pretty much dedicated most of season 2 on Chris Colfer’s Kurt Hummel, and he did pretty much nail it every episode. While some people are getting a little sick of him, I have a feeling award voters still love him. After all, he did win the Globes…

Who I Want To Win:

Ty Burrell, Modern Family

Why: Honestly, I love all the Modern Family guys and I don’t know how Emmy voters can choose between all four of them in the same category (which is why I think this year Colfer might win). But ultimately, Phil made me laugh so hard last season, and he’s too damn adorable so I gotta go with Ty Burrell. I wish they all could win though, wouldn’t that be something?

But It Could Very Well BeEric Stonestreet.  He won last year, and Cameron was still hysterical last season, so he could win this again.

Winner: Ty Burrell, hells yeah!

Outstanding Supporting Actress In A Comedy Series:

– Jane Lynch, Glee.

– Betty White, Hot In Cleveland.

– Kristen Wiig, Saturday Night Live.

– Sofia Vegara, Modern Family.

– Julie Bowen, Modern Family.

– Jane Krakowski, 30 Rock.

Who I Think Will Win & Who I Want To Win:

Sofia Vergara, Modern Family

Why: I am in love with this lady! 🙂 And seriously, she’s the best thing in Modern Family, and everyone practically raved about her performance last season. Not to mention, Jane Lynch is hosting this year and hosts rarely win (see: Neil Patrick Harris), and out of all the nominees Vergara’s got the most buzz.

But It Could Very Well BeBetty White. America’s not as obsessed with her as they did last year, but she’s still got enough clout to actually take home an Emmy in this category.

Winner: Julie Bowen

Outstanding Supporting Actor In A Drama Series:

– Peter Dinklage, Game of Thrones.

– Josh Charles, The Good Wife.

– Alan Cumming, The Good Wife.

– Walter Goggins, Justified.

– Andre Braugher, Men of A Certain Age.

– John Slattery, Mad Men.

Who I Think Will Win:

Peter Dinklage, Game of Thrones

Why: I don’t watch the show, but man is it popular! Not only does it have die-hard fans who would probably start a riot if he didn’t win, but the whole time Game of Thrones was airing, the social media was buzzing with praises for this man’s performance. So I’m guessing, he’ll probably win this one.

Who I Want To Win:

Walton Goggins, Justified

Why: Okay, the fact that Justified wasn’t nominated for Best Drama baffled me because last season was incredible, but fine, I’ll let it go as long as either this man or Timothy Olyphant gets some Emmy love. Walton Goggins was brilliant as Boyd Crowder, and last season he brought his A-game in every episode. And since I didn’t actually see Game of Thrones, I have to root for this guy.

But It Could Very Well BeAlan Cumming. Speaking of brilliance, this man never fails to impress me. I don’t watch The Good Wife but I know he must’ve been amazing in it. He’s Alan Cumming!

Winner: Peter Dinklage

Outstanding Supporting Actress In A Drama Series:

– Christina Hendricks, Mad Men.

– Margot Martindale, Justified.

– Archie Panjabi, The Good Wife.

– Christine Baranski, The Good Wife.

– Michelle Forbes, The Killing.

– Kelly MacDonald, Boardwalk Empire.

Who I Think Will Win:

Kelly MacDonald, Boardwalk Empire

Why: Well Boardwalk Empire seems to be the favorite this year, it’s up for I think 19 nominations, so miss MacDonald is definitely a shoe-in. And besides, she was great as oh crap I don’t remember the name of her character… but yeah, that woman. 🙂 Sorry. It’s been a while. But yeah, she was great as whoever-her-character’s-name-is. And the Emmy voters do love this show.

Who I Want ToWin:

Christina Hendricks, Mad Men

Why: She’s Joan Holloway. She’s awesome. And just like Emma Stone, I totally have a girl-crush on the fabulously voluptuous Christina Hendricks. And Joan got some pretty good storylines in season 4, so I think it’s not a stretch that I want her to win.

But It Could Very Well BeArchie Panjabi. She did win last year, didn’t she?

Winner: Margo Martindale

Are you going to watch The Emmys this year? Who are you rooting for? Whose snubs are you most upset about? Discuss below.

xoxo

Binky Bee

Eat, Drink and Be Insulted by Ricky Gervais: Golden Globes Roundup

The Golden Globes have just ended, awards have been handed out to the (some most, some least) deserving winners and those of you who follow me on Twitter have had to put up with my manic live-tweets of the whole thing; from the red carpet to the actual show. I hope you do forgive me for crowding your timeline. 🙂

I have updated my Golden Globes post with the winners list, so feel free to check it out again. I will be posting my red carpet coverage after this, so keep on a lookout for that, but for now, here are some highlights from the event:

1/ What is up with Christian Bale’s hair (and beard)? No, seriously, what? I know there’s a Jesus biopic coming out soon… but he’s not playing Jesus, is he?

On another note; despite being press shy and prone to explosive tantrums, Bale’s speech when he won Best Supporting Actor was actually quite charming. His HFPA joke was priceless, and he managed to insert some good loving family stuff. Loved that he also got censored for his “expletive-heavy” praises for Robert De Niro toward the end there.

2/ Ricky Gervais insulting everyone in the audience, HFPA and then some. From Twitter, it seems that most people think his insults were in poor taste and mean-spirited. But I actually kinda loved it. It took him less than five seconds to make a Charlie Sheen joke, and to rip apart The Tourist, as well as HFPA’s choice of nominating it as Best Picture Comedy. Yes, the jokes were rather mean but come on, we all made fun of Charlie Sheen and Gervais’ Tourist jab was actually nicer than some of the things that critics have written about the movie. The best part of Gervais’ monologue, however, was Steve Buscemi, looking absolutely terrified when he brought up Boardwalk Empire.

3/ Chris Colfer’s acceptance speech when he won for Best Supporting Actor nearly brought tears to my eyes. He looked genuinely surprised and humbled when his name was called out, and went on to encourage teenagers everywhere to stay strong and not give in to bullies. Such an amazing actor, amazing man – and what an inspiration. And he also said: “I think I just dropped my heart between Julianne Moore and Natalie Portman.” Too adorable. You go, Chris Colfer!

Also: the cast of Glee are unbelievably gracious and loving. When Colfer won, they each tweeted their love, excitement and support. Aww.

4/ I don’t know if you can see it in the picture above, but Johnny Depp looked positively orange. Like, Snooki orange. Weird. Also: Paul Giamatti beat him twice for the Best Actor Comedy category, since he was doubly nominated and all. Depp, as always, looked nonplussed.

5/ Robert Downey Jr called Ricky Gervais “mean-spirited” and “sinister” and meant it. OUCH. I wonder if these two are going to get into a real fight at the after parties.

Also interesting to note:

– HFPA loves them some Glee. Even though Lea Michele lost to Laura Linney and Matthew Morrison lost to Jim Parsons, the Ryan Murphy musical comedy still won big: Best Supporting Actor for Chris Colfer, Supporting Actress for Jane Lynch and of course, Best TV Comedy. Best Part: The whole cast, and I mean the entire giant cast including Jacob Ben-Israel and Karofski (whatever their real names are) got up onstage to celebrate the win. Pretty awesome.

– Aaron Sorkin forgo his usual jerky self and opted for a more gracious demeanor after winning Best Screenplay, praising Mark Zuckerberg, who wasn’t too in love with how he was depicted in the movie,  and giving a surprising shout out to smart girls of the world; saying “Smart girls have more fun”. Considering that The Social Network has been accused of being a tad sexist, this was a smart move. Good on ya, Sorkin.

– Jesse Eisenberg and Andrew Garfield are basically nerds at heart. When The Social Network won Best Picture Drama, the god-like Armie Hammer went up on stage with the rest of the crew, while those boys stayed seated, unsure whether or not they deserved to be up there. Too cute. Scott Rudin, who accepted the award, had to call them up on stage before they joined the rest of the cast and crew. Rudin also thanked Zuckerberg, which led me to believe that considering the amount of success this movie has been getting during award season, these people are told to thank the man who inspired it all.

– Speaking of nerdy (but gorgeous) Andrew Garfield, he stumbled on the word “inspiringly” a few times while introducing The Social Network, thus accidentally plugging The King’s Speech.

– Trent Reznor, who won for Best Original Score, was barely recognizable in tuxedo.

– Natalie Portman was incredibly composed at first when she accepted the Globes for Best Actress, only to go giggly when she talked about how her baby daddy, Benjamin Millepied, “totally wants to sleep with her in real life”. Too cute. Somewhere, a jilted ballerina screamed and threw her TV out the window.

– Michael Douglas got a standing ovation for beating cancer. He was classy about it, remarking, “There’s got to be a better way to get a standing O.”

– Gervais’ closing note: “Thank God for making me an atheist.” You really got to love this guy.

And there you have it, some highlights from tonight’s Golden Globes. What did you think of the award show? Did you like Ricky Gervais? How do you feel about the winners?

Sound off below!

xoxo

Binky Bee

My 12 Days of Christmas Countdown: Tenth Day

So this is the new year, and I don’t feel any different. The clanking of crystals, explosion in the distance… Yes, it’s The New Year! Just like the Death Cab For Cutie song I just quoted here, I don’t really feel any different. You know, just a little stuffed from the roast chicken I just gobbled down with my red wine. 🙂 So before I begin today’s countdown, I want to take a moment to wish you all a very happy new year. May 2011 will be even better than 2010!

Okay, moment over. Today, while I’m still in the New Year celebration mood, I thought I’d list my top 10 Glee Numbers 2010. After all, we should start the new year with a song in our hearts, right? So let’s begin!

My Top 10 Glee Numbers of 2010

1/ Bohemian Rhapsody, Queen.

Solo(s): Jesse St.James (Jonathan Groff)

Pizazz: 9.5

Context: It’s the Regionals, and the kids of New Directions are up against their toughest competitor, reigning champion Vocal Adrenaline. After the New Directions take the stage with their Journey medley, Quinn’s water breaks and the gang, in the exception of Rachel Berry, rush her to the hospital. While Quinn is in labor, Jesse St. James and Vocal Adrenaline take the stage and immediately wow us all. The vocals and choreography are just so phenomenal, we know at that moment the kids of New Directions don’t stand a chance. They may have a lot of heart, but at the end of the day, they still have a lot to learn. With Rachel watching on with anger and defeat, Jesse St. James completely nails the Queen classic. Of course what cements this song in number one is the fact that it intercuts with Quinn’s labor scene, heightening the drama and making it one very memorable moment from Glee’s first season finale.

2/ Dog Days Are Over, Florence + The Machine.

Solo(s): Mercedes (Amber Riley) & Tina (Jenna Ushkowitz)

Pizazz: 9

Context: The New Directions have just won Sectionals (well, tie with The Warblers), but their personal lives aren’t as successful. Will is heartbroken after finding out that Emma has gotten hitched to Carl over the weekend in Vegas, Rachel is heartbroken after Finn dumped her for cheating with Puck, and Kurt finds out the hard way that blending in Dalton Academy is not as easy as he had imagined. So for the last performance, Mercedes and Tina take the stage and belt out this Florence + The Machine hit, and the result is pretty awesome. It’s the perfect song to close one chapter of these kids (and their teachers) lives’ before moving on to another. And even though it’s not the very last episode before break, it still feels like a great song to say goodbye for now.

3/ Teenage Dream, Katy Perry.

Solo(s): Blaine (Darren Criss)

Pizazz: 9

Context: Tired of being bullied and under-appreciated in McKinley High and New Directions, Kurt sneaks into their rival school Dalton Academy to see how the other half lives, and he’s immediately swept off his feet by the very charming Blaine, leader of Dalton Academy’s Glee club, The Warblers. After a slow-motion “running across the hallway” scene, Kurt is treated to a fantastic acapella version of Katy Perry’s Teenage Dream, performed by Blaine and The Warblers. Swoon. And not just Kurt, apparently. This version of Teenage Dream is so hot, it immediately went to number 1 on the iTunes download charts right after the song premiered in the episode ‘Never Been Kissed’. No offense to Katy Perry, but I always thought this song would sound better if sung by a guy, and I was right.

4/ Touch-a Touch-a Touch-a Touch Me, Rocky Horror Picture Show.

Solo(s): Emma Pilsbury (Jayma Mays)

Pizazz: 8.5

Context: After finding out that Emma is a huge fan of Rocky Horror, Will decides to put on a Rocky Horror musical with the New Directions kids all to impress Emma, at the behest of Emma’s boyfriend Carl (John Stamos). After Carl manages to get involved with the production, Will decides to be Rocky so he can woo Emma under the pretext of helping him rehearse. In an empty classroom, he manages to convince Emma to perform this song to him, a la Janet to Rocky – with Santana and Brittany watching everything from the window. Jayma Mays doesn’t get to sing as much as the other members of the cast, but every time she always nails it, and this number is no exception. Even though at the back of our minds we’re thinking it’s a little creepy that Will decides to be Rocky, during this number all we can do is sing along, and admire Matthew Morrison’s fantastic abs.

5/ Umbrella/Singin’ In The Rain, Rihanna/Gene Kelly.

Solo(s): Holly Holiday (Gwyneth Paltrow) and Will Schuester (Matthew Morrison)

Pizazz: 8.5

Context: When Will is down with the flu, substitute teacher Holly Holiday is asked to watch over the New Directions and she subsequently wows the kids so much that Will feels threatened and rushes back to reclaim his position. Luckily, Holly finally realizes that Will is the better educator for these kids and they settle into an easy friendship. And for the big closing number, Will and Holly take the stage doing a mash-up of Umbrella and Singin’ In The Rain, complete with water raining down on the stage and everything. It sounds very cheesy but as you can see in the video, the result is actually one of the best Glee numbers we’ve ever seen. Gwyneth Paltrow, you are officially cool again.

6/ Like A Prayer, Madonna.

Solo(s): Rachel (Lea Michele), Mercedes (Amber Riley), Finn (Cory Monteith), Kurt (Chris Colfer) and probably more in the iTunes version.

Pizazz: 8

Context: It’s the Madonna episode, it’s big, it’s out there and there’s a lot of female empowerment happening in the episode. Since this is still the first season, it culminates in a big fantasy number of New Directions singing this epic song with a full choir backing them (I call it fantasy number because really, how do they explain the whole choir suddenly being there?). The message may not be as clear as some of the other numbers, but it’s so grand and theatrical that we just can’t help but be completely taken in. Madonna must be so proud.

7/  Happy Days Are Here Again/Get Happy, Barbra Streisand & Judy Garland.

Solo(s): Rachel Berry (Lea Michele) and Kurt Hummel (Chris Colfer)

Pizazz: 8

Context: In the episode Duets, Kurt has to face the fact that with him being the only openly gay student in McKinley High, he has to deal with loneliness, not having anyone to relate to or to do a duet with. In the end Rachel, who has two gay dads, reaches out to him and asks him to do this duet with her, a charming little number that really suit the both of them perfectly. I thought this is a nice one to end the episode with; it’s not grand, but it’s sweet and full of heart, which is exactly what the episode is all about.

8/ Safety Dance, Men Without Hats.

Solo(s): Artie (Kevin McHale)

Pizazz: 7.5

Context: After Bryan Ryan (guest star Neil Patrick Harris) shows up and makes the New Directions kids wonder if their dreams of fame, success and not being ridiculed will even come true, Artie imagines what it would be like if he is no longer a paraplegic. And in a fantasy scene, Artie gets up from his wheelchair and starts singing and dancing to this song in the middle of a mall, and he is soon joined by a flash mob. This episode directed by Joss Whedon is one of the best in season 1, and this number in particular is purely awesome – from seeing Artie finally showing off his dance moves to the very real way of portraying a flash mob.

9/ Just The Way You Are, Bruno Mars.

Solo(s): Finn Hudson (Cory Monteith)

Pizazz: 7

Context: It’s Burt and Carol’s wedding, and Finn finally realizes that he hasn’t been a good friend and step-brother to Kurt, often choosing his popularity and jock status over defending Kurt from bullies. So in true Glee fashion, at the wedding Finn dedicates this song to Kurt, and serenades him in front of all the wedding guests with the help of the New Directions. It’s such a sweet scene for these two, signifying that this is indeed the beginning of a beautiful bromance.

10/ Gives You Hell, The All American Rejects.

Solo(s): Rachel Berry (Lea Michele)

Pizazz: 7

Context: Hurt and offended by Finn’s decision to end their relationship because “he needs to find his inner rock star”, Rachel chooses to express her angst through this catchy song during Glee club practice. Rachel baring her soul through performing in front of an audience is nothing new, but what’s great about this number is how the other kids jump in, sing and dance along with her, as if banding together to defend her from Finn’s douche-y move. It’s fun and just what we expect to see in high school.

And there you have it, my top 10 Glee numbers of 2010, numbers that wow you, surprise you and get you singing the songs non-stop in the shower. Apologies for the poor quality of some of the videos, they were the best I can find. It’s not my fault wordpress doesn’t want to embed from Chinese sites. 🙂

Check back in Sunday (I’ll be busy tomorrow), I’ll be counting down My Top 10 Style Stars of 2010. Maybe your favorite fashionista will make the cut!

Until then, I bid you adieu and wish you a very happy new year!

xoxo

Binky Bee

 

 

 

 

My 12 Days of Christmas Countdown: Third Day

…On the third day of Christmas Countdown, my true love gave to me: ten fabulous ladies of TV. Okay that sounds weird. 🙂 Anyway, as promised, today is all about the ladies, so let’s not delay and get right to the countdown. Enjoy!

My Top 10 Fabulous TV Ladies of 2010

1/ Elisabeth Moss, Mad Men.

Forget about her divorce from SNL’s Fred Armisen, or her foray into Scientology and focus on the fact that she makes Peggy Olsen the awesome woman that she is, then you’ll see why I’ve chosen her as the number one. Peggy is probably the only character in Mad Men that continues to transform every season, and I think season 4 was truly her season. She’s no longer having weird and somewhat creep-tastic affairs with Duck Phillips, she and Pete Campbell seemed to have put the past behind them and even the news of Trudy’s pregnancy didn’t seem to shatter her, and the best part of it all is that she finally could stand up to Don, which made him respect her even more. Now that Anna Draper has passed away, Peggy is the only woman that he sees as his equal, and that’s saying something. So for portraying this fascinating character with such ease and grace, you get to be number one, Miss Moss. Take that, Fred Armisen!

2/ Kelly MacDonald, Boardwalk Empire.

As much as I love Boardwalk Empire, I was often frustrated by the writers’ inability to write for the female characters in the show. But after a while I realized that it wasn’t because the writers didn’t know how to write for the female characters, it was more because they were all focused on developing MacDonald’s character Margaret Schroeder so much so that all other female characters (in the exception of Gretchen Mol’s Gillian) seemed like an afterthought. And somehow I think it’s MacDonald’s amazing presence and ability to fully inhabit the character is the cause. I wouldn’t be surprised if she won Best Actress at The Globes and SAG (was she nominated at SAG? I can’t remember), because she really was that fantastic in the show. And that’s also why she’s the runner up in this list. Can’t give top honors to half-baked actresses, can we?

3/ Nina Dobrev, The Vampire Diaries.

She’s never going to be nominated for an Emmy, Golden Globe or SAG for this awesome CW vampire show since let’s face it, award voters are snobs and they look down on the CW and teen vampire shows in general (regardless of how awesome it actually is if they ever bother to watch), and I think it’s such a shame. If you’ve been watching the second season like I have, you’ll know that Nina Dobrev truly deserves an award for her performance as both Elena Gilbert and her evil vampire doppelganger Katherine. She was so convincing as both characters that sometimes I thought another actress was playing the role of Katherine. And to think that before The Vampire Diaries, she was a virtual unknown. The award snobs may overlook you, Nina, but I sure won’t. You deserve to be on this list, and let’s hope one day you’ll really get noticed by the people who matter.

4/ Anna Torv, Fringe.

Speaking of actresses who have to portray two characters in one TV show, our number four fabulous lady has been nothing short than impressive in the third season of Fringe so far. People were skeptical of Torv when Fringe was in the first season, they thought she was wooden and she tried too hard with her American accent (she’s Australian) but she really stepped it up in the second season, before impressing us all with taking on the role of both universes’ Olivia Dunham. She was both vulnerable and determined, and the best part is that she could portray Faux-livia in such a way that we could really hate her guts for ruining everything for Olivia. Just like Dobrev and The Vampire Diaries, Torv and Fringe are often passed by awards snobs, so I hope this list isn’t the only one she lands in this year.

5/ Sofia Vergara, Modern Family.

I can’t do a list of top 10 fabulous ladies of TV without including this “volumptuous” funny lady, can I? Sofia Vergara has been killing it on Modern Family lately, you can always count on her to make you laugh or at least chuckle every episode, even if it’s not a particularly funny episode. And I love her more because she truly shatters the idea that gorgeous, sexy women can’t be hilarious and smart. Actually, maybe I should hate her for that. LOL.

6/ Tina Fey, 30 Rock.

Just like Sofia Vergara, Tina Fey is awesome because she can make fun of herself on a weekly basis in her show 30 Rock. She may not have Vergara’s body or sex appeal but she’s got a butt double and Matt Damon on her arms, so really, who says being totally self-deprecating and dorky is a disadvantage? And of course Fey is in this list because 30 Rock is suddenly super awesome again in its fifth season, proving to the world that Liz Lemon is unstoppable. After all, she has DIHC! (If you’re not a 30 Rock fan, DIHC is Jack’s acronym for Determination, Intelligence, Humility and Chaos. Yes, he knows how it sounds and he doesn’t care.)

7/ Mae Whitman, Parenthood.

Lauren Graham aka The Actress Formerly Known As Lorelai Gilmore usually gets the most hype when it comes to this show, but I think her onscreen daughter is totally stealing her thunder. Unlike Alexis Bledel’s Rory in Gilmore Girls, Whitman’s Amber is the not-so-perfect daughter of Graham’s character, who in the first season rebelled by smoking, drinking and hooking up with her cousin’s boyfriend. But Amber changed her ways in season 2, opting to be a good student and focus on her SATs, and had the nerve to tell her mother how “disappointed she is in her” when she didn’t come home after hooking up with William Baldwin. And through all that, Whitman’s acting is award-worthy, and she does have the ability to cry so convincingly. So for being a different, altogether more awesome version of Rory Gilmore, welcome to this list, Mae Whitman.

8/ Leighton Meester, Gossip Girl.

Gossip Girl may be going downhill with each passing season, but one thing that remains consistent about that show is the fabulousness of one Blair Waldorf, portrayed by the one and only Leighton Meester. She may not have Blake Lively’s cleavage, but that only makes her the better actress. She is funny, snarky, bitchy and crazy in every episode of Gossip Girl, and every now and then when the writers actually give her a decent material to work with, she shows us she can be vulnerable and heartbreaking as well. Even the foreshadowing of the wince-inducing Dair (Dan and Blair) cannot stop me from inducting this girl into this list. Although, Blair might have a problem with me putting her in number eight…

9/ Naya Rivera, Glee.

Lea Michele may be the girl who gets the most attention out of all the female Gleeks, but I think this season Naya Rivera’s Santana totally steals the show. Despite only being upgraded to main cast member in the latter half of the first season, Rivera successfully makes Santana the character I most love to watch every episode. She not only has the best bitch face, she also nails the snarkiness of the character every time. And her voice is amazing! Gleeks of the world may be staging a protest over the break up of Finchel, but I for one would love to see her hook up with Finn again, if only to see more of Naya.

10/ Yvonne Strahovski, Chuck.

Do I really need to explain why this lady is fabulous? She’s a kick-ass spy who’s madly in love with the coolest geek on television. She’s the fantasy of every teenage dorks in the world, and she is both loved by male and female fans of the show, because despite of her fantastic spy alter-ego, she can show vulnerability on screen without being sappy. And hey, she totally holds her own opposite Sarah Connor Linda Hamilton. Fabulous lady indeed.

I hope you’ve enjoyed the countdowns so far. Tune back in tomorrow, I’ll be counting down the last of the TV section: Top 10 TV Bromance of 2010. Because there’s no romance like a bromance, right?

Till then!

xoxo

Binky Bee

 

My 12 Days of Christmas Countdown: Second Day

Hello everyone! Welcome to the second day of My 12 Days of Christmas Countdown. Yesterday, I gave you my list of the Top 10 TV Shows of 2010, and today it’s all about the men, those hot, gorgeous, dreamy men of TV. Because let’s face it, sometimes we watch these shows for the compelling stories and the brilliant acting, and sometimes, we watch these shows because we want something to fantasize about… and we’re just not into porn.

So let’s not waste any more time and get straight to the list, shall we?

My Top 10 TV Screen Scorchers of 2010:

1/ Jon Hamm, Mad Men.

I’m sure giving the top honors to this man is not something any woman would protest, I mean, look at him. Can you say tall, dark and handsome? His Mad Men character may not always be sympathetic and the kind of man we want to be married to but for some reason we find ourselves rooting for him nonetheless, and it’s all because Jon Hamm is impossibly good looking, charming and well, almost perfect. The thing that makes him perfect is his versatility and ability to poking fun at himself in 30 Rock, Saturday Night Live and even the Emmys. We all love a man who doesn’t take himself too seriously, don’t we? Jennifer Westfield, you are one lucky bitch.

2/ Michael Pitt, Boardwalk Empire.

Okay, let me just start by saying that smoking is not cool and sexy. There’s nothing sexy about emphysema, is there? But, having said that, I think Phillip Morris should consider paying Michael Pitt, along with our number one guy Jon Hamm, because they’ve successfully managed to make smoking sexy again. Pitt won me over as Jimmy Darmody in Boardwalk Empire with his brooding stare and his PTSD-tortured soul the second he entered the scene in the pilot. He makes everything sexy; smoking, drinking, blowing people’s heads off… hey, a guy who can make you forget that he’s some psycho gangster in the making with his intense stare and his cool demeanor deserves to be on this list, right?

3/ Alex O’Loughlin, Hawaii Five-O.

Speaking of brooding stare, this Australian hottie pretty much specializes in the art of brooding. Almost every scene in the Hawaii Five-O reboot has him staring intently and furrowing his brows, not that I’m complaining. Scott Caan is there for the witty banter, O’Loughlin is there to make us drool at our screen. Aside from his brooding stare, he also scorches up the screen by kicking ass and taking names. Five-O may not be a superhero show, but I think it should be because Steve McGarrett is superman. And in that case, can I be his Lois Lane?

4/ Zachary Levi, Chuck.

After three Alpha Males in a row dominating the list, you might be surprised to find this awesome supergeek/spy/Buy Morean in here. But what can I say, I love geeks. Sure they may not be too athletic or well-built but I always find their ability to hack into other people’s Facebook account sexy. And Zachary Levi kind of has the best of both worlds; he’s both a geek and a hottie. Even his character is both a geek and a super spy. Not to mention, he seems like such a sweetheart, like Chuck, in real life too. What’s not to love?

5/ Cory Monteith, Glee.

Our guy at number 5 is not really what you would call a geek, because he’s not. But he’s not technically a jock either. He’s hunky but awkward, he’s the star quarterback and the leader of the Glee club, he’s sexy but cute… and for that, he gets to be in this list. Plus, he knows how to sing his way through our hearts, and that always counts for something.

6/ Ian Somerhalder, The Vampire Diaries.

I really don’t need to explain why he’s in the list after that photo, do I? 🙂 His character in The Vampire Diaries would eat Cory Monteith’s character in Glee for breakfast, but in real life he seems to be a sweet Southern gentleman, who during the gulf oil spill crisis opted to forget his celebrity status, rolled up his sleeves and helped out. A hottie who knows how to make a difference, now that’s the kind of guy we all want to fantasize about.

7/ John Francis Daley, Bones.

And yet another geek in the list. John Francis Daley, who plays FBI psychologist Lance Sweets in Bones, has played a geek his whole life. He got his start in Paul Feig’s short-lived but much-loved cult favorite Freaks and Geeks, the show that also launched the careers of Seth Rogen, Jason Segel, Busy Phillips and its most famous alumna James Franco. In Freaks and Geeks, Daley was fifteen, small, adorable and totally awkward. In Bones, he’s in his twenties, tall, dark, handsome but still adorable and slightly awkward, which makes him all the more endearing. Booth and Brennan may not take him seriously, but I know I’m not the only one hoping for a lengthy private section with this sweet Lancelot.

8/ Joshua Jackson, Fringe.

We all first fell in love with this Canadian hottie when he won our hearts as Pacey Ritter in Dawson’s Creek, and when he made his triumphant return to television as Peter Bishop in Fringe, we’re still in love with him. He’s not only a great actor and a total babe, he also has that charm I always assume is reserved for one George Clooney. He always has a twinkle in his eye, and an easy demeanor both on and off the screen. It isn’t hard to see why Diane Kruger is madly in love with him, I mean, who wouldn’t be?

9/ Jeffrey Donovan, Burn Notice.

Out of all the guys in this list, Jeffrey Donovan is the man of my dreams. Like, literally, he actually guest-starred in a few of my dreams. And you know what kind I’m talking about, wink wink. I don’t know what it is about him. He was first on my radar when I saw The Changeling, where he played that corrupt police chief who practically assaulted Angelina Jolie, and I didn’t like him at all. But then I bought the first season of Burn Notice on DVD and by episode three, he’s won me over. And now, I am lusting for Michael Westen even harder than his on-screen girlfriend Fiona Glenanne is supposed to be. Chalk it up to the ass-kicking and the fact that he knows how to rock those Olivers People sunglasses like nobody’s business. Sorry James Bond, but Michael Westen is the only spy for me.

10/ John Krasinski, The Office.

As if I’m going to countdown the top 10 TV screen scorchers without including one-half of my favorite TV couple ever. Not going to happen. And he does deserve to be on this list. He’s gorgeous, tall, funny, self-deprecating and my god does he look good in a suit! Whether in The Office or on the red carpet standing next to his fabulous British wife Emily Blunt, he never fails to weaken our knees and make us catch our breath a little. Why Pam ever chose Roy over him is something I still don’t understand until now.

So there you have it, the ten TV men to fantasize, dream about and obsess over. Here’s hoping for some addition to the list in the Spring TV season. But until then, don’t forget to breathe. 🙂

Check back in tomorrow, it’s the TV ladies’ turn. Until then!

xoxo

Binky Bee

My 12 Days of Christmas Countdown: First Day

Christmas is almost here, and as a result, I’m already in a holiday mood.  So, I decided to do what good ol’ St. Nick would do this time of the year: “making a list, and checking it twice” – but instead of “checking it twice”, I’m just going to make a series of countdown lists from now to… 12 days from now, a la that really annoying song, The 12 Days of Christmas. My 12 Days of Christmas Countdown will be divided into three parts: TV, Movie and Celebrities. I would do music, but since I don’t exactly have the most mainstream taste, I better not – there’s nothing more annoying that reading a list of music you’ve never heard of, right? 🙂

And now, let us begin Binky’s 12 Days of Christmas Countdown, starting with the first day:

My Top 10 Shows of 2010

Note: Before anyone protests, I am sure Parks & Recreation and Friday Night Lights deserve to be in this list, but since NBC pushed the premiere date for Parks & Rec to next year and I haven’t seen the last and final season of FNL (currently airing on DirecTV), I have no choice but to exclude them from this year’s list. But if I do another round of this next year, I’ll make sure I’ll include them. Now, on to the list:

1/ Community, NBC.

Like I have mentioned in my Golden Globes post, this genius comedy is the most underrated show on television today. But luckily, it does have a loyal fanbase who appreciates its meta humor and zany pop culture references every week. And I am one of them. The reason why I chose this show as my number one of 2010 is simple; this is the only show that can be absurd and realistic at the same time. Just look at season 2: in less than 13 episodes, the show manages to: have Betty White guest stars as a lunatic anthropology professor, cleverly avoid going down the will-they-won’t-they romantic plotlines, pay homage to Apollo 13 while simultaneously pimping KFC, do a virus/zombie Halloween episode, a “conspiracy theory” episode that makes way more sense that AMC’s convoluted (and canceled) Rubicon, and finally: do the entire Christmas episode in stop-motion. Yes, people, the Rankin/Bass kind. The Golden Globes and SAG may not pay too much attention to this show, but in this list, our merry study group from Greendale Community College nabs the top honor. Congrats, guys.

2/ Mad Men, AMC.

Regardless how you feel about the finale of Season 4, you can’t deny that this is probably the only show on TV that is always consistent about its quality. Sterling Cooper had changed to Sterling Cooper Draper Pryce, Don Draper has divorced his insufferable wife Betty and now about to marry his secretary, and Peggy Olsen had transformed from Don’s mousy secretary to a successful copywriter that men actually take seriously – all of these had happened without sacrificing great writing and solid ideas. No wonder this show keeps winning the Emmys, it’s not so easy finding a great show that can stay great after four seasons. And that’s why Mad Men continues to be on top, whether on this list, or any other.

3/ 30 Rock, NBC.

Most shows on television tend to decline in quality in its fifth season. I mean, look at The Office, its fifth season wasn’t exactly what you would call “solid”. But in 30 Rock’s case, it’s actually quite the opposite. Instead of declining in quality, it actually improves. From the premiere episode, this show just nailed it. The jokes are fresh and relevant, the meta commentary are on point and hilarious, and the celeb cameos are even more awesome: from Matt Damon to Mad Men’s John Slattery have shown up this season, they were all hilarious and we didn’t grow tired of seeing celeb stunt-casting in this show because the writers did a great job of giving them a good reason to be there.  Plus, they actually had a live show a few months back and it was epic! It’s official, Tina Fey is the most genius woman in the world. If she runs for president, I’ll definitely vote for her. 🙂

4/ Boardwalk Empire, HBO.

From the get go, this show had all the makings of an HBO hit: period drama from one of the writers of The Soprano, Terence Winter, starring Steve Buscemi as Enoch “Nucky” Thompson, corrupt politician/gangster, set in prohibition era Atlantic City. Oh and the pilot episode is directed by none other than one Martin Scorsese, who also serves as executive producer. And a hit it really did become, and for me, a much welcome change after a frustrating season of True Blood in the summer. Despite being compared heavily to Mad Men by critics, I think this show has its own appeal; from PTSD-ridden Jimmy Darmody to religious nutjob Agent Nelsan Van Alden, every character in this show is complex, fascinating and absolutely entertaining to watch. Not to mention, the mixture of real life characters with the fiction: in season one we got to meet Charlie “Lucky” Luciano, Arnold Rothstein and Al Capone. But I think the best part of this show is the addition of Jack Huston towards the end as Richard Harrow, a war vet with half a face who was both cold-blooded and heartwarming at the same time. Despite a rather weak finale, I still think this show was one of the best new shows of 2010, and one that’s well-deserving to be on this list.

5/ Cougar Town, ABC.

Even though Modern Family is the one getting all the awards, I can’t help but love this quirky Courtney Cox comedy just a little more than its Wednesday night companion. First of all, the show is really funny, and sometimes even much funnier than Modern Family. Second, it has all these crazy cool games; like “Penny Can” and Movie Mash Up. Third, the Cul-de-Sac crew are basically a bunch of high-functioning alcoholics who sit around Jules’ fabulous kitchen all day drinking red wine. How can you not love that? And let’s face it, we all wish our suburban neighbors are as cool as the cul-de-sac crew. Also, we all want to have a huge wine glass that we call ‘Big Joe’. Or maybe it’s just me?

6/ The Vampire Diaries, CW.

When this show first premiered last year, I have to admit I was really skeptical and thought that it was just another Twilight knock-off. But boy was I wrong! At the hands of  Scream and Dawson’s Creek’s Kevin Williamson and his partner Julie Plec, this show becomes more than just an adaptation of a popular vampire book series – it’s a fantastic show that keeps us at the edge of our seats week after week. Now in its second season, we’re delving more into the mythology and it’s actually fun and riveting at the same time. Nina Dobrev gets to show off her acting skills by portraying both the heroine Elena and her evil vampire doppelganger Katherine, and she knocks it out of the park every time. And of course, those Salvatore boys are just so hot, it’s really hard not to love this show. I mean, really.

7/ Raising Hope, Fox.

I wasn’t much of a fan of My Name Is Earl, so I didn’t expect to love this new show from Greg Garcia when it first premiered last Fall. But unlike My Name Is Earl, this show won me over in no time. Maybe it’s Martha Plimpton’s superb acting, maybe it’s the adorable baby Hope who I suspect may be a robot since she’s just way, way too cute, maybe it’s Bijou Phillips’ cameo as Hope’s serial killer on death row mom, maybe it’s Garret Dillahunt’s refreshing turn as a (not-so) deadbeat dad,  maybe it’s Cloris Leachman’s crazy antics as Mee Maw, or maybe this show is just that good. Whatever it is, I’m a fan, and I’m glad that the network seems to love it as well because it’s the first freshman show that gets a full-season pickup. Yeay!

8/ Fringe, Fox.

There aren’t too many sci-fi shows on TV right now, especially one with consistent quality and not-too-convoluted mythology. Fringe is one of those few. Now in its third season, the show upped its ante in the first half by alternating the episodes between two universes, which gives us an idea of “how the other half lives”. All the main actors, in the exception of Joshua Jackson, have to portray both their characters and the alternate versions of their characters week after week and they all gave such amazing performances, especially in the case of Anna Torv and the always fantastic John Noble. Not to mention, the deeper we get into the mythology of the Fringe universes, the more intriguing and fascinating it becomes. Fox may have lost faith in this show by moving it to TV’s Siberia – or Friday night – come January but I for one still think this is one of the best shows on TV right now and hopefully it’s not going away any time soon.

9/ Glee, Fox.

The second season of this mega hit may not be the best, but I still think this show deserves to be on this top 10 list. Because at the heart of it all, it’s still a lot of fun to watch. Sure, there are inconsistencies, and the writers do have a tendency of creating multiple plotlines only to drop them and not revisit them again a few episodes later, but the core struggles and the reason why I fell in love with the show are still there. And this season they have tackled a few sensitive issues, like faith, homosexuality and bullying, as well as body image issues quite realistically and with a lot of heart. Plus, they still charm us with their covers of everything from Broadway to Bruno Mars, not to mention their awesome Christmas album that is now playing on repeat in my iPod. Oh, and take heart, Finchel fans, the show will survive whether they’re together or apart. 🙂

10/ Parenthood, NBC.

A few years ago, ABC’s Brothers and Sisters charmed me with their big family dynamic and drama, but I grew tired of it after a while due to its inability to steer clear of the soap opera route: they keep adding illegitimate children and implausible plotlines that have nothing to do with what made the show charming in the first place. But NBC’s Parenthood is nothing like Brothers & Sisters. The drama is real and easy to relate to, the conflicts are relatable, and the plotlines are actually plausible. Sadly, it may very well be in danger of cancellation after this season wraps, but I’m hoping it’ll live to see another season because the Bravermans is one family I’d like to see more of.

So there you have it, my list of The Top 10 Shows of 2010. This television season is not exactly the best, but it does have its moments and I hope you’ve all enjoyed it as much as I have. And now that we’re done with this list, check back in tomorrow, I’ll be counting down The Top 10 TV Screen Scorchers.

Until then, feel free to comment and share your top 10 shows of 2010.

xoxo

Binky Bee