Treasures From Across The Pond: The Best of British TV (Part One)

Happy New Year everybody! How did you all enjoy the holidays, did you have fun with the family or are you glad it’s over? I didn’t get to enjoy the holidays because I caught the flu and I was sick the entire time, which is a bummer. But I suppose it could be worse. At least it’s just the flu, right? šŸ™‚

Of course being sick during the holidays is definitely not fun, mostly because it’s also winter hiatus for my favorite TV shows (in the exception of Chuck this year, but that’s only because it’s the final season and NBC is just anxious to get it out of the way, I suspect) and I have nothing to watch. At first I busy myself with the Binky International Film Festival, but then the series was over and I still had nothing to watch. So I did what I always do in times like this, I turn to the internet for research on great shows I haven’t had the chance to watch for various reasons (mostly because my TV schedule is already insane to begin with). I’m still not interested to give Game of Thrones a try (apologies, fans, but somehow I find epic tales like this hard to get into. I’m the only nerd who’s not into Lord of The Rings, after all), so instead I decided to try two British series that the internet have been raving about but I haven’t had time to try: Downton Abbey and Sherlock. And am I glad that I did, because even though Hollywood has churned out some of the best TV shows of all time – the Brits sure know how to make quality series. Their seasons are shorter, their lifespans are often shorter – mostly three or four seasons, only a few really popular ones get more than five – but they are often excellent series, and their quality usually remains consistent to the end.

Today and tomorrow, I want to talk about these two excellent British shows that I managed to watch during the Winter Hiatus, both of which have become my newest obsession. I’ll start with Downton Abbey, which will air its second season in the US this Sunday. If you haven’t seen this charming show, do catch up on its first season this weekend (it’s doable, there are only 7 episodes) so you can get right into the second season when it airs on Sunday. Trust me, you won’t regret it.

I have heard about the charms of hit British drama Downton Abbey for some time now, it has been talked about quite frequently on NY Magazine’s Vulture blog and twitter is quite chattery about this show as well (Patton Oswalt, Gillian Jacobs and Yvette Nicole Brown from Community even did a hilarious twitter reenactment once). But I already had a hard time trying to watch all the American shows I’m watching, I decided to just wait for the DVDs to come out. On the last week of December, while I was still coughing and sniveling non-stop, I decided to devour the first and second season in the space of a weekend, and now I’m jonesing for the new season to start. Why does British TV take such long breaks anyway? I’m sure there are Brits who watch TV as obsessively as I do?

The appeal of Downton Abbey is simple, it’s a period or “genre” drama, it’s set in the late Edwardian era, and it follows the lives of the aristocratic Crawley family, of the Earl and Countess of Grantham and their three grown daughters, as well as their servants (which includes a butler, valet — not the kind that parks cars–, housekeepers, footmen, housemaids, cook, kitchen maids, chauffer, etc). It’s a well-written, well-acted “upstairs/downstairs” soap opera, and it’s addictive as hell. Created by Gosford Park’s Julian Fellowes, this series was an instant hit on both sides of the Atlantic, averaging 10 million viewers in the UK (which is massive for UK TV standard, by the way) and a cool 6 million viewers in the US, which means this show – airing on PBS – has higher ratings than anything in the CW, including its hit shows like The Vampire Diaries or America’s Next Top Model. I mean, PBS isn’t exactly the cool kids channel. I don’t think people even watch PBS until Downton Abbey comes along, you know, except for the Ken Burns documentary.

After watching a few episodes of Season 1 (or Series 1, as the Brits would have it), I tweeted that this show is like Gossip Girl, if it were very well-written and steered clear of ridiculous plots. At the heart of it, Downton Abbey is very much a soap opera, something that even Hugh Bonneville, who plays the Earl of Grantham, concurs – but unlike most soap operas that tend to be way too dramatic to a fault, Downton Abbey chooses to be more grounded, opting for historical accuracies instead of wildly unbelievable plots that most soaps are known for. Even their slightly unbelievable plot, the one where a Turkish diplomat dies while having sex with Lady Mary, turns out to be a true story, according to its creator and writer Julian Fellowes. A soap opera that show self-restrained in the ridiculous department is very, very rare, and that’s why Downton Abbey is as popular as it is both in the UK and US: this is what we TV viewers have been craving for all this time.

Of course another appeal of this show is that it’s also very, very entertaining. My favorite character is Lady Violet, the Dowager Countess of Grantham, played by the one and only Dame Maggie Smith, naturally. Not only does she have the best lines (her infamous one is of course, “What is a weekend?”), she’s also hysterical without trying too hard. No wonder Maggie Smith nabbed the Best Supporting Actress in A Mini Series last year, she is definitely the best thing about this show that’s already full of so many wonderful things.

The second season was criticized in the UK for being too soap-y and overly dramatic but seriously, in my opinion, it’s still excellent. Don’t listen to them haters. Yes, it is a bit more dramatic and soap-y than the first season. And there are several plots that veered a little too much on the dramatic side, but so what? Even when Grey’s Anatomy was still good (first and second season), it’s way more soap-y and dramatic than this show ever could be. And the second season was worth the watch if only for the romances! From the angst-y “will you two just get together already?” entanglement of Lady Mary and Matthew Crawley to the sweet but problematic romance of Mr. Bates and Anna, there is no shortage of squee worthy moments in season two, and let’s face it, those moments are the reason why we love television in the first place, right?

UK viewers and those of us who don’t live in the UK but have gotten hold of the second season through wildly nefarious means will have to wait with bated breath for the third (and possibly final) season set to premiere some time in October (or is it November? Not sure) this year, which means we have to suffer withdrawal for at least ten months before we get our fix again. But if you live in the US, I highly recommend you turn on PBS this Sunday night and watch the second season. Better yet, follow comedian Patton Oswalt on twitter (@pattonoswalt) and watch it with him. He promises to live-tweet the episode this Sunday. I guarantee you won’t be disappointed.

I’ll see you back here tomorrow for my review of another delightful (and popular) British series, Sherlock. Until then!

xoxo

Binky Bee

Binky International Film Festival: Day Ten

Hello and welcome to Day Ten of our first ever “Binky International Film Festival“. We have reached the end of 2011 and also the end of this series, yeay! šŸ™‚ I hope you’ve enjoyed this blog series as much as I have, it has been great, looking back and reviewing the movies I saw this year, and I’m really excited to begin 2012 because it seems like it’s only going to get better, what with the highly anticipated Hunger Games and The Amazing Spider-man premiering in March and May respectively.

And now let’s end this series right with the last genre: “Cool Guy Flicks”. It’s not action hero, but it’s pretty darn close. Cool Guy Flicks are the movies in which the protagonist charms, dazzles, saves the day and gets the girl. There aren’t that many that I saw in 2011 but the ones I did were pretty memorable, so let’s take a look, shall we?

“Cool Guy Flicks”

Limitless

Opening Weekend: March 18, 2011
Approx. Running Time: 105 min
Director & Screenwriter(s): Neil Burger & Leslie Dixon
Stars: Bradley Cooper, Abby Cornish, Robert DeNiro, Anna Friel

Haven’t you ever wished there was a drug that could make you not only smarter, faster, stronger but also be as cool as Bradley Cooper? In Limitless, that’s exactly what happens to loser Bradley Cooper when he gets his hands on a drug that turns him into super awesome Bradley Cooper – like all the cool Bradley Cooper characters you love combined. Of course great power comes a great price, but you can’t deny that while he’s on top of the world, it is an awesome wild ride. Bradley Cooper does charming manic really well, and even though I still think he’sĀ  NOT the sexiest man alive, I can see the appeal. One thing I especially love about the movie the unusual ending, something refreshing (I won’t spoil it for those who haven’t seen it) that doesn’t usually happen in movies like this. If you want your cool guy flick comes with a dash of intelligence, you definitely should give this one a watch.

Rating: 3.5 out of 5 stars

Source Code

Opening Weekend: April 1, 2011
Approx. Running Time: 93 min
Director & Screenwriter(s): Duncan Jones & Ben Ripley
Stars: Jake Gyllenhaal, Michelle Monaghan, Vera Farmiga

Unlike Limitless’ Bradley Cooper, Source Code’s cool guy protagonist isn’t exactly all charming and handsome and powerful. However he does have to save a train full of people from a terrorist attack over and over again, so he’s definitely a real hero. I really like the premise of Source Code, especially when the possibility of alternate realities (universes) existing within the source code is introduced, and Jake Gyllenhaal knows how to carry this movie and plays the hero without being a little too much, but the ending kind of pisses me off a bit because it opts for a romantic happy ending that leaves more questions than answers, at least when it comes to the logic of these alternate universes that exist within the source code. It’s good right up until the end and then it gets kind of lame, which makes it a little frustrating and anti-climactic. Ah well, better luck next time, Gyllenhaal.

Rating: 2.5 out of 5 stars

Fright Night

Opening Weekend: August 19, 2011
Approx. Running Time: 106 min
Director & Screenwriter(s): Craig Gillespie & Marti Noxon. Story by Tom Holland
Stars: Anton Yelchin, Colin Farrell, Toni Collette, Imogen Poots

Remakes haven’t really had a successful run this year, with Footloose being the worst of it all, but sometimes there are some remakes that can be a fun watch. Fright Night is one of them. I’m not saying this vampire flick is good, I’m just saying it’s actually fun to watch. It’s campy, it’s ridiculous and it’s a little stupid but it’s never lacking in fun. Colin Farrell once again shows his comedic chops as the bloodthirsty vampire neighbor, and he’s just awesome in this. After the “emo vampire” trend that has swept the world these last few years with Twilight, Vampire Diaries and to a certain degree True Blood, it’s quite refreshing to see good ol’ fashioned non-brooding, conscience-free, freakishly violent vampires for once. I wonder why vampires became emo in this side of the millennium. Is it because the majority of the population are on some kind of anti-depression lately that vampires, who live on human blood, become so Zoloft-y mellow? I doubt the diabolical, evil yet sexy and delicious vampires of years past will make a comeback anytime soon, but at least it’s nice to relive the good ol’ days with these bloodsuckers for once.

Rating: 3 out of 5 stars

And that concludes Day Ten of Binky International Film Festival. I’m all done, you guys, woohoo! It’s a little bittersweet for me to close this year without having seen so many of the highly anticipated 2011 movies such as The Girl With The Dragon Tattoo, Tinker Tailor Soldier Spy and especially Alexander Payne’s The Descendants, but I’m hoping I’ll get a hold of them soon. Until then, I wish you a fabulous new year, may 2012 proves to be an amazing one for us all.

Happy New Year, Blogosphere!

Xoxo

Binky Bee

Binky International Film Festival: Day Nine

Hello and welcome to Day Nine of “Binky International Film Festival”! We’ve made it, only one day more to go before we end this series and the year 2011 as well. I’ve had a blast doing this, so I hope you all have enjoyed this as much as I have. Today we are going to take a look at my “mistake” movies, aka “Romance That Makes Me Want To Stick A Fork In My Eye”. The genre romance and I have never really gotten along to begin with, but this year the only three movies in this genre that I saw were all torturous. They really do want to make me stick a fork in my eye. Seriously, Hollywood, if romance is this tedious… Maybe the whole celibacy thing is the right way to go after all. šŸ˜‰

So what are these three movies that make me wish I could ge those combined six hours of my life back? Read on…

Romance That Makes Me Want To Stick A Fork In My Eye

Water For Elephants

Opening Weekend: April 22, 2011
Approx. Running Time: 12o min
Director & Screenwriter(s): Francis Lawrence & Richard LaGravenese
Stars: Reese Witherspoon, Robert Pattinson, Christoph Waltz

I watched this movie out of curiosity, and because of it I now fully understand why curiosity kills the cat. I thought I was going to die from boredom watching this movie, and if it weren’t for the divine Christoph Waltz, I would’ve turned it off after 30 minutes. I don’t know exactly what made me hate this movie, maybe it’s Robert Pattinson and the Twilight of it all, or maybe it’s just because it took too damn long to get to the friggin point or because it isn’t a story about animal cruelty in the circus as much as it is about the love affair between an older married woman with a young impressionable ex-veterinary student. And how cruel her husband is. Or something. I don’t know, I stopped paying attention about the time when Pattinson first made googly eyes with Witherspoon and got distracted by other things until that scene where Waltz strangled Witherspoon because it brought me memories of Inglourious Basterds (Christoph Waltz loves to strangle pretty blonds on screen, it seems). Maybe I just don’t have a romantic bone in my body, but dear god this movie was painful to watch, and not just because of the animal abuse.

Rating: 2 out of 5 stars

The Adjustment Bureau

Opening Weekend: March 4, 2011
Approx. Running Time: 106 min
Director & Screenwriter(s): Geoff Nolfi
Stars: Matt Damon, Emily Blunt, Michael Kelly

Three movies disappointed me so deeply this year, and they’re all “sci-fi”: Super 8, Attack The Block and The Adjustment Bureau. But at least in the case of Super 8 and Attack The Block, there are aliens involved. Adjustment Bureau is just a romance masquerading as sci-fi and that is the worst of the worst. I feel cheated. You see, this movie started out cool and promising – there’s Matt Damon, running for Congress, and there are these mysterious men in suits and fedoras that are kind of like The Observers in Fringe, who act as some kind of guardian angels – making sure humans are all in their right path. Problem is, their only concern in this movie is Matt Damon’s love life. They go through so much trouble just to make sure Matt Damon and Emily Blunt don’t hook up, because if they do, Damon won’t be president. And if he doesn’t become president.. Someone else will. And… that’s it. Arrghh!! There are children dying all over the world and that’s all they care about? Really?? I mean, I get if Blunt’s character turns out to be evil or if Damon doesn’t become president, the Antichrist will rise to power or something, but no. They just are so against these two attractive people schtupping and Damon spends the whole movie trying to convince them otherwise (because you can’t stop attractive people from having sex with each other, weird men in suits!). At the end I couldn’t take it anymore and turned it off before the movie ended because it made me want to blow my brains out. That was 106 minutes of my life (well, a little less because I didn’t finish it) I could never get back, Matt Damon. I hope you’re happy.

Rating: 1 out of 5 stars

One Day

Opening Weekend: August 19, 2011
Approx. Running Time: 107 min
Director & Screenwriter(s): Lone Scherfig & David Nicholls
Stars: Anne Hathaway, Jim Sturgess, Patricia Clarkson

The last romance in this list is no better than the other two, but the good thing is, I already know it was bad before I saw it – from the scathing reviews to the many disappointed comments in NY Magazine’s Vulture comment section – so I knew exactly what I was getting going in and therefore I can enjoy this movie more. First, it was just too much fun making fun of Anne Hathaway’s fake British accent. I mean, dear god, it was atrocious! She slipped on and off and halfway through the movie, she even sounded Irish. It was hilarious. She’s a good actress, but she really needs a better dialect coach. Even Reese Witherspoon in Vanity Fair put her to shame! Dear Producers, hire British actresses to play British roles next time. Problem solved. Second, I don’t really get the point of the movie. I haven’t read the book but even I know the premise isn’t something that translates to film easily. It’d take a group effort of incredible director, screenwriters and actors – and this one just fell short, despite the author of the book adapting it to screenplay himself. Dan Humphrey, take note. It’s always better if someone else adapts your book. Luckily though, Jim Sturgess is just so darn cute that I didn’t mind having to stare at him for two hours, even if Hathaway’s accent gets in the way of enjoying his gorgeousness every now and then.

Rating: 2.5 out of 5 stars

And there you have it, Day Nine of Binky International Film Festival. We only have one more day left so I hope you’ll come back tomorrow for our final day, where we’ll be taking a look back at some “Cool Dudes Flicks” to end the series. I’ll see you soon!

xoxo

Binky Bee